In Eurasia, during the 5th century large migrations of people (and their domesticated non-human animals) took place. It was an unstable time politically – with e.g. the downfall of the Roman Empire.

Yesterday I visited an exhibition at the Lund University Historical Museum, called “The Sösdala horsemen – and the equestrian elite of fifth century Europe”.

In Sösdala (and adjacent villages), in today’s southern Sweden, in 1929 and 1961 people digging for gravel and sand found a couple of thoroughly “slaughtered” horse equipment (saddles and tacks), close to a field of graves, a so called stone ship setting at Vätteryd’s burial ground. Some of these graves and these “slaughtered” horse equipment are consistent in time with each other, between 350-450 AD.

… or with which of my set of eyes am I looking?

Digesting more of the reading in the course I am taking at the Kerulos Center (https://kerulos.org). This article, by Gay Bradswhaw*, is about the different ways to see, the difference between information and message, the point that knowledge is relational, the difference between collective and subjective knowledge – introducing trans-species psychology and the obvious incongruence that bi-directional inference between human animals and other animals create.

Now I will focus on the seeing…

A dual process…

In February this year, just before the Corona took over the world – I was in UK. We had given two trainings, but also manged so squeeze in one visit to the Exmoors and one to Wicken Fen, to see horses who live more or less in a semi-feral way.

We went to Wicken Fen the last day before I returned to Sweden. I have waited to write much about that visit, because I did not know how to. Now I have been sitting with the dual processes that took place (or there were more than two – but these two signifies the main themes of my visit there).

The other day I was puppy-proofing our apartment to be ready for our new furry family member and it got me thinking about the reasons for why I move, what motivates me in the process and what goals I enjoy working towards. These thoughts started running through my head as I was squatting underneath a table in the middle of my partner’s music equipment cable jungle. Organizing those cables in a tight space in between lots of sensitive “toys”, truly put my movement practice into something functional. There was a moment of “aha!” as I did my best to move in between the cables without tripping on anything and causing an expensive accident. There was a functional task with a goal: “organize and hide the cables”. The task required many odd and awkward positions, fluidity of movement, and precision, like playing “the cables are lava”. At that moment I was thankful for the movement practice I’ve done, as it makes these kinds of everyday tasks easier to do. Yes, that is the goal of my practice in general. 

Sometimes I forget why I practice, besides the obvious physical and psychological benefits. As sometimes, just knowing that it is good for the body-mind is not enough to get one moving. Lack of motivation is also a real thing for a movement enthusiast like me. That is where defining one’s motivation to move comes into the picture. For some, it is enough to get to practice simply because they want to be able to do e.g. a handstand or run a marathon. For others, like me, these types of goals may lack deeper meaning, and causes a struggle to consistently practice towards a goal that feels more like a “party-trick” (and don’t get me wrong, there’s nothing wrong with that!) than something with “real-life value” or functionality. 

Motivation plays a big role in keeping a consistent movement practice. Having intrinsic motivation and -goal helps to keep the practice going on in the long term. 

The Imitation Game is a Perception Game…

(And bear with me... this is about horses - and horse-human interaction, too.... I am stumbleing around about in this post - the text is not crystal clear - yet - I wanted to share it - something is forming in me, about the importance of embodiment, the shared nature of perception, how we form our beliefs as humans - how horses can help us see this - by being them.)

The imitation I talk about here has nothing to do with copying or imitating for its own sake. Imitation is an important way to, and of learning. You find imitation (of various kind; mimicking, mirroring, emulation, “true” imitation, teaching, schooling/herd/group behavior) in social learning, in language learning, in so called situated learning – as e.g. in apprenticeship models, etc. Imitation is also an important tool when to getting to know someone (as in the chameleon effect – which is about creating/ “achieving” liking each other – and in creating a common ground of understanding and communicating with each other – creating social contracts). Imitation is so much more than copying – and play a big role in all mammals’ development and growth into adults, but also in adult life. It is a corner stone of how we interact with each other, albeit often imitation is not conscious, it can be looked at, made conscious, and experimented with.

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Social animals live in groups, that include horses, as well as dogs and humans. So what do these group structures look like? How are they organized? What principles do they follow? Humans have for a long time wanted to see and prove hierarchy structures in other species, besides our own, but are hierarchies really there, in the way many of us think of them? If they are, what purpose are they then serving? Or are they just a misunderstanding from our side? First of all, I think we mix things up. Other animals, besides humans, are living, spending their lives in different kinds of groups. That i...

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The difference between trauma and stress and the difference between trauma in humans and "trauma" in non-humans The picture below shows the window of tolerance (and window of learning). This is the window in you that needs to be open enough for you to learn something new. It demands the factors – openness and tolerance to new information (but potentially also new situations, new environments, new beings (humans, non-humans) to relate to).  When you move too far to the left side in this picture (or bottom if you turn the picture around – a window has 4 frames…), you will gradually defend y...

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